us native and techno newcomer 785 blasts onto the scene with a stellar debut 12inch. kansas native 785 debuts with his first 12inch ever on jerome sydenhams apotek records. it is clear this evasive sound engineer has a special gift to craft techno from sources others may have never dared to tap. the a-side mada theory is a display of pure techno diversity with slight nods to dub, ambient and the upper class of minimal. a record whose beauty may lay in it simplicity until one witnesses the complex chaos it causes on dance-floors. the flip, east box, gets a tad more mechanical utilizing drilling kicks and a host of atmospheric sounds sliding in unison with machine rhythms, coagulating into some hardened molten tech-funk. both tracks have that special something that makes them standout.what has he employed that others havent? a phenomenon well have to wait to decode until he unleashes his next pack of roving beats.

as obvious as techno and houses heavy influence is on 3024, one of the most consistent reference points has been the machine soul emanating from the city of detroit for the last 30 odd years. we will spare you yet another euro-centric pseudo-sociology lecture but the combination of geography, economics and community has produced music with an influence has consistently reached far beyond michigan state. for our 17th release 3024 is honoured to continue our trek into the analogue wilderness with another artist heavily inspired by the city, berlins near legendary redshape.

electronic duo cage & aviary are set to release their debut album >migration< on prins thomas internasjonal imprint. part man, part machine, part cockatiel, cage & aviary take flights of fancy whenever they can. jamie paton is a dj, a one-finger keyboardist, and a pot-tickler. nigel of bermondsey is a musician, south londons finest oscillator, and a dedicated dabbler. together they are winners of the cosmic lottery. having put out releases to much acclaim on the ltd editions that are dissident distribution, cage & aviary have since spread their wings with releases on dfa, tiny sticks and astro lab.

in advance of the release of dapayk & padbergs third full-length sweet nothings - this time round on stil vor talent - the experienced duo are teasing us with the fluffy cloud ep, which showcases three of the album’s many diverse highlights, while keeping the vinyl lovers happy. the a-side bears the lps title track >sweet nothings<, on which dapayk & padberg’s sound takes a turn as they come knocking with a deep but forceful groover, whose distorted high-hats and trancey synth stabs create a vibe both euphoric and weirdly subdued. the lyrics, moreover, emphasise the duality at the core of many dapayk & padberg tracks as the latter ponders ‘you’re good for me - you’re bad for me’. showing another of the duo’s many facets, ‘backyard’ enchants thanks to mystical lyrics sung beautifully over a deep quasi-dubstep structure. marking the ep’s mid-point, the atmospheric song shines through intricately crafted fragility and is the perfect contrast to the previous and following track, while leaving a strong desire for more stuck in the listener’s mind. on the b-side, ‘fluffy clouds’ does quite the opposite to what its title suggests - rather than being a soft little piece, we are treated to big-room techno fodder à la berghain. a skeletal framework of heavy kicks, dark pads, white noise and dense metallics works relentlessly underneath a cold spoken word, proclaiming >not human, not animal - just a body in motion<. machine funk par excellence.

achterbahn d amour is courtesy of edit piafra & iron curtis. rooted in nu&#776,,,,rnberg, city of love. jx2 is another slammer, guided by lush pads and some quirky acidish bassline that cuts from your left brain to your right brain and then straight to the next dancefloor. there is no escape, dont even try! the other side of the platter has more to offer: the middle of is a high standard dj tool with heart. repetitive loops all over and no end in sight. but(t)! exactly the right amount of dirt to keep you movin and shakin that hips. oh, we have to admit, no rnb samples were used at all. sorry guys! if youre into pop music with a certain love for jackin house music, youll probably go for into the wilde. this song was recorded just before a mad club gig in berlin and you know what to expect: pitcheddown and pitched-up vocals, a live bass and drum machine workouts galore. frank says: these guys are hot as hades. early plays by gilbr (chateau flight), axel boman, basic soul unit, hunee, san soda, roberto rodriguez, red rack em, sasse, ethyl, patlac, matthias vogt (motorcitysoul), francis inferno orchestra, snuff crew & foffie.

get ready for two genius edm racer! boys noize and mr. oizo (ed banger) finally collide. they joined forces and created a duo called handbraekes. their first track callgurls has already been premiered on annie mac (bbc radio 1) a few weeks ago and is an eye-opener of what you can expect of two geniuses clashing their machine parks together! 4 tracks, which will set a new benchmark in the edm scene. full throttle on handbreakes!

the debut 12 inch by electronic diviner secret circuit - aka eddie ruscha (also of laughing light of plenty & food of the gods) - is now the physical property of earths people. on >nebula sphynx< analog synths & sequencers burn deep like a tincture of jack house and ham-fisted experimental attack music. the track features special guest circuit cole mgn (the samps, nite jewel), who gives the >sphynx< an extra crispy, cosmic crunch. ruscha keeps the meters peaking on >parascopic rope< with randy drum machine blasts and casio sk-wanderings. each 12 inch from beats in space features original artwork in considerate & serial form. bis002 12 inch features artwork by cf (aka - providence-based artist christopher forgues), purveyor the powr mastrs comic book epic and a finely-tweaked & tuned in dude.

the launch of a new electronic dance label based on the same ethos as their legendary club nights. electro elvis & lula give you…. wang trax. the first release is by long time resident radioactive man. wang trax will be staying true to there underground roots as all output will be released on vinyl as well as digitally we hope you enjoy listening to music as much as we have had finding it! laurent garnier (dj various) >electro at its best!! full radio & club support from me< billy nasty: >great ep from mr tenniswood showing exactly why he is the number 1 machine funk specialist.< freq nasty: >love it! im very happy real electro is coming back and r.a.m. is the don.<

detroits man of the hour with three raw analog feeling deep detroit house cuts... for those who knows

volume 9 with three new cuts….

after bringing rayko to their ever-growing retrospective fold for retro003, then following up with the infamous >street machine<, the still unmasked ruben & ra are proud to welcome montenegros revered house cat, fil lavin. already generating comparisons to house patriarchs such as chez damier, kerri chandler and ron trent to the current day likes of nicolas and graham the revenge clark, fil pursues a distinctly stateside sound reminiscent of the output of nu groove, strictly rhythm & nervous from the golden age of us house. having already hit retrospectives soundcloud page, >soul brother< is already in high demand with requests coming in on a daily basis for a release date.

already causing a stir on promo, dark arts 01 comprises 4 tracks of deeply arresting dancefloor music. mid blue is a soundtrack for the darkest corner of the warehouse. the square bass grabs you from the first bar and combines with cosmic sweeps to drag you down deep before the toms come in to add that all-important funk factor. broken space is a beautifully playful track. the stuttering beat, organic percussion and melodic touches merge with the darkest of strings to create a sound rooted in classic electronica but belonging firmly in the present. restraint is a burst of heavyweight electroid futurism – rock-solid beats and alien sounds from god-knows which galaxy combine with a razor-sharp cymbal attack. handle with care. proper deep detroit business – a quote from just one of techno’s most well-respected producers.red_dust2 is a huge, rolling tech-house rhythm, mixing the warmth of the motor city with the cold machine funk found this side of the pond. pure, timeless and custom-built for the dancefloor. mastered by one of the most well respected engineers in techno and pressed in one of europe’s finest pressing plants, dark arts 01 is limited to 250 hand stamped, clear vinyl copies.

at last - the essential montreal ep tracks mastered properly! comes in a twice hand-stamped brand new printed downwards jacket tracks unavailable on vinyl for some years regis explores the various forms and effects of repetition within this d.a.f. inspired 1995 british underground techno classic. properly mastered for the first time by our very own techno luvvy matt colton - this is truly linear, hypnotic, low-fi machine funk.back in the early days of downwards only the surgeon titles were mastered properly as oconnor didnt think his own productions were worth it(having been transferred direct from tape)features a brand new downwards printed jacket and two hand stamps.

the latest instalment in the ever-evolving tale of circus company comes from a partnership that has already borne plenty of tightly honed dancefloor fruit, although never before for our merry band of performers and freaks. marc schneiders service to european house music runs deep. as well as steering the course of the mega-distributor wordandsound, marc has been steadily appearing on releases and remixes for new kanada, metamorphic, einmaliens and many more over the years. however marcs studio collaborations with ralf schmidt are fast becoming his most celebrated output. ralfs aera project is already being loudly championed by the most critical tastemakers in the business, including glowing praise from resident advisor and fact magazine for his unique and impeccably crafted tracks on his own aleph music label. after a string of successful remixes, the pair consummate their shared passion with this strong, focused three-tracker that makes a space for itself in the club-ready end of the circus company record bag. what on the surface may seem like straight-up dj friendly cuts soon reveal their hidden depths. whispers of techno melodies and textures hum away under the surface, while those with keen ears will pick up the sneaky tributes to uk rave culture that aera is known for sprinkling over his tracks. primarily though, these tracks gracefully tread the line between functionality and flair, leaving you with another glorious selection of imaginative house music with that inimitable circus co. stamp on it.

after 7 years of staying out of the limelight, mille & mr.hirsch (playhouse, newpolish, r.a.n.d. musik and much more!) are back with new material. the new imprint owes its name to a group of berlin artists called apollo krieg who produce fashion, artworks and whacky installation art. with berlin as their base, mille & mr.hirsch hang around & see much of their work influenced by the work of this group and decided to name it after this group of artists – true to the motto: nowadays the guys from apollo krieg also produce music. side a: (apollo/alpha) golden age is the classical, heart-warming, romantic and seemingly never-ending deephouse epic which finds its place somewhere between detroit house, balearic, jazz and funk. it is always a tad larger than life and opulent in harmony and melody but, with due to its well-defined instrumentalization, it seems somehow traditional. this track has a 9-minute arc of suspence and is devoid of any drum-machine orgies and razzle-dazzle a unique piece of shit!side k: (krieg/kokain) kinky love is a bit more modern, with more track, less melody and less music. the mix of strong samples (e.s.p./kinky go) with slightly dark and deep functional track make this 8-minute track a potential floorfiller! best regards apollo krieg berlin

on brothers in loves first release, max k. gets right down to business introducing himself and this family project: booming kick drums, thumping toms side by side with sharp hi-hats and staccato claps. machine grooves with sounds as raw as the musical approach of the artist. >losing your cool< builds on a massive kick drum, with a tom groove shuffling the track. it develops into a late summer bloom, which is over as fast as this years berlin summer was – with piercing percussion to remind you that winter is already here! >overdrive<, the first track on the flip, starts as a heavy slow groover with thumping kick, crashing snare and acidic synth lines until a punishing hook enters knocking you upside the head. the second track on the b-side, >indulgence< comes disguised as a stepper with a raw, pulsating analog bass line, but reaches its apex with a whirling synth lead on top of a vocal that could never be classified as your ordinary preachapella.

next up on nang, we have the long awaited full-length from nu-disco hero and synth aficionado, andy meecham. the release sees meecham step away from his revered emperor machine monkier to create something conceptual and truly visceral, yet still retaining those signature grooves and rich tones we all know and love. the aptly titled monophonic volume 1 is a synth purists dream. each track has been crafted on a single classic synthesizer (and named after it!), giving each piece its own identity and sense of time and place, referencing landmark moments in the history of music technology from the east and west

classic, on music on vinyl

is it balearic continue a very fine run of form, with another essential 12 from newcomer aihki, featuring a great rework from canadas hottest disco export eddie c! aihki is a helsinki based duo consisting of magnus blomkvist & tuomas soppela. tuomas and magnus met one dark day at the local zoo engaging in some reindeer spotting. both magnus and tuomas had an enormous love for reindeers and folk music so they decided to form aihki. after extensive crate digging and an endless amount of guitar lessons their first ep was ready. inspired by the bright summer nights and the equally dark winters in the nordic region the sound differs a bit from the traditional balearica. besides aihki, tuomas has the estupido machine and magnus run the nerd network club nights in helsinki. another fine package from iib!

including lyric sheet and code for free download of this album.

after the success of the nothing special events a label of the same name begins. the events so far have been held at fabric of course and new york. the concept is simply that craig plays all night around live acts. previous guests have been pole, deadbeat, moritz von oswald trio, emperor machine, convextion, dopplereffekt. 2652, shackleton and conforce. the depth of craigs musical knowledge as a dj provides a sense of structure to the parties. the nothing special in weekly radio show format commences imminently. first release is by radionasty - the combined force of billy nasty and keith tenniswood.

with his collaborations with ian pooley as mvip, jazz pianist matthias vogt is a comfortable behind a piano, a drum machine or in a club environment. with his partner c-rock, they have been residents at sven vaths cocoon club for many years now. he’s releasing music on some of the best labels around the world including freerange, infracom, urban torque, simple and their own stir 15 label. he’s also collaborated with ingenious musicians like nils petter molvaer, bugge wesseltoft, viktoria tolstoy, jhelisa anderson, alice russel, nathan haines & eric truffaz. he and c-rock also collaborated with house music legend, chez damier, on the project kids in the strets with the classic track keep on running. matthias & fred everything also collaborated on the frederico todos ep on urban torque earlier this year and theres a fred everything remix of matthiass frankfurt sour to come out soon on urban torque.this ep is an ode to the old chicago prescription underground sound of ron trent & chez damier. a time when music spoke by its feeling rather than a formula. let it grow on you and play it loud! we hope you enjoy the music. show us your support with charts and plays!support by osunlade, john tejada, alland byallo, roberto rodriguez, scope, jimpster, llorca, johnny fiasco, giom, grant nelson, nacho marco, shur-i-kan, danny krivit ....

emergent behaviour is what one might determine the calm before the storm, as we dive into the second instalment of the jupiter cycle, as the drifting ambience and somewhat ominous synths proceed abstract thought, itself a stubborn barrage of hardened electro beats, rigid stabs, crystalizing and melding into an explosive mayhem and of course, the ghost in the machine, if anything a more traditional styled, yet irresistible electro hit. the deep showcases hadamard in a distinctly experimental mode, where all the fine details are tuned to perfection for maximum atmosphere. finally, drifting into the collective and satellite swarm, both gliding onwards and ever deeper into pure ambience, the latter closing piece eloquently preparing the audio stratosphere for the next chapter in the jupiter cycle. special limited edition pack includes the second in a series of collectable posters.

nice price deal !!! the third, somewhat overdue, installment of andy blakes cave paintings series finally sees the light of day. all the cave paintings releases are one-take analogue excursions constructed by machines and recorded live in new cross gate and mastered for vinyl in hackney.3x is a close cousin of 2y.a simple but dramatically effective warmly buzzing bassline is clambered all over by layers of interlocking pure analogue percussion.machine funk meets the locking crew for a warehouse showdown.3y heads into thus far uncharted territory. an evil, growling lfo driven bass underpins militaristic percussion thats slammed hard into ancient spring reverbs and accompanied by the sound of synthesisers being choked to death. heads down strobe-lit dancefloor action.

in the psychedelic late sixties there was a lively music scene in the canterbury area that revolved around the band the wilde flowers. they never recorded much themselves, however, but after they disbanded other influential bands were formed from their ashes: gong, soft machine, and, most importantly, caravan.
caravans eponymous debut was released in 1968. it was considered a groundbreaking album capturing the freakish and exploratory moods of the times. their sound went much further than the changing styles of the contemporary underground and that is what distinguished caravan from other bands in their genre.
pressing on 180 grams audiophile vinyl.

nice price deal !!! another critical release,following the deadly djs pareja single of last month. perfectly timed and cued after the recent raudive long-player on stefan goldmanns macro label. raudive is oliver hos darker, more new-wave operative, and these latest productions have caught the attention of the folks at history clock - and its a perfect alliance. the levels ep is a debased mix of sleazy, after-hours acid-dancehall with the icy cool of minimal, machine-music dynamics. essential, in a word.

the veteran us producer continues the series he started in the 90s with a high-paced, pulsing slice of club techno.its not all high-octane thrills,either,and the offbeat electro of stained is also worth checking.

after few months of research the rks duo is now ready for a new sound experience.
back in the day is the way and the house funky producers based in berlin are trying to do it compromiseless. >sunny moments< is a complete deep house raw track, the sweet voice that comes from the past works in a loveliness drum machine game with a synth that runs like the detroit school teaches!
>the dancer from san francisco< is a short funk gem that hits the brain and makes you move your feets, the samples play well, like the rks production wants!
>there was summer< is a detroit minded track, the pad play into an hypnotic synth game, a flight into space, a complete hi-tech experience.

the producer behind these mind-blowing slabs of heavyweight disco-funk perfection was one jp source, an exile from the geordie ibiza (that will be blackpool) and geordie mecca (erm, newcastle) now living out in the sticks in the states, far from home. the eps title, >get your bearings<, is reference to his struggles to come to terms with his new surroundings.
three tracks, all tried and tested, all disco dynamite. since he sent us these killer edits, jp source has begun to pick up interest elsewhere. he recently released an excellent ep of original material on audio parallax and has material forthcoming on edit, zzr and art star records. we reckon he has got a big future. all the more reason to >get your bearings< and dive into his bedmo disco debut…

4 tracks of deep soulful house/techno.. more excellence, slightly harder/more jacking than previous outings but still covers a broad remit of house/techno over 4 tracks. darling farah returns with his second ep of 2011. entitled >division<, the detroit-born producer offers four tracks that journey further into deep house, techno and machine-soul. the ep grabs you from the offset, while dream-like qualities wash over the listener they contrast perfectly with an offbeat, energetic 4/4 backbone. division will undoubtedly solidify the hype around its precociously talented 19 year old producer and add more critical acclaim to that already received from his previous releases, >berline< and >exxy<.
including code for digital download of this releas.

ali renault with a great longplayer from electro to cosmic... housed in a luxury gatefold cover

from the signals imprint in the north of england comes two suitably rough and tough cuts of british house/techno from liverpool wunderkind john heckle. this is how techno and house should be made! machine driven, raw, moody with heart and soul. a 10 inch cut designed for heavy rotation.

incl. tracks by alejandro vivanco & dorian chavez and mobius strum & dorian chavez!
chile is a country with several well known producers of electronic music. this time we have a collaboration between chile & costa rica with 3 artists on 1 ep. dorian chavez is resident in chiles old and well known club la feria for a long time and teamed up with alejandro vivanco and mobius strum (costa rica) for this release. 4 house to deep techhouse tracks right for the floor.

dope new release on kinda soul recordings by mathematics artist takeshi kouzuki. 3 tracks on this new 12inch blending smooth acidic otherworldy sounds with classic chicago influenced bouncy beats

with the help of minimal wave, in trance 95 completed the album >cities of steel and neon< which is a collection of their very early tapes, remixed and remastered, compiled by mws veronica.

four tracks, taken from exiums great album >roots of time< and given to 4 great remixers.

living it out – perhaps the most unabashedly danceable song on janine planningtorock rostrons dfa debut album w – comes on (that is to say, seduces) in just the right ways. the song is all addictive disco, with synthesized string skitterings and rostrons voice purring out (she sounds like a futuristic eartha kitt here) a perfect melody that somehow gets even better at the chorus. its pure pleasure upsurge from beat-driven start to pizzicatto end, the kind of song that lets you know that, amidst rostrons many musical idiosyncracies, included is the ability to write a song that simply drags you out onto the dancefloor.

while the first release on wania, busen & paleos >stream of love< (featuring dj sotofetts anthemic overdub-12inchedit) was a rather leftfield affair, dritfett is aimed more directly towards the dancefloor. the label artwork gives a clear clue as to what this release is all about: amongst a number of cryptic messages and shout-outs in norwegian - a tr-909 logo. all the tracks here are based around the 909 - thunderous kickdrums and sharp, hissing hi-hats that cut through the mix. still, theres a broad range of sounds, from head-down, fists-clenched warehouse workouts with an industrial edge, to more melodic tracks with detroit references aplenty. make no mistake though: this is all about the power of the almighty 909. theres no fancy tricks here‚ no ableton-trickery or polished waveforms, just good honest techno with a real raw live feel. this gives the tracks the energy and spontaneity that is sorely missed in many of todays productions. the kind of energy you will find - in abundance - in the house and techno releases of the 90s. the kind of energy that can only be achieved by pressing play on a machine, frenetically twisting knobs and punching buttons while letting the energy of the room decide where to go next.

glass tear groove is the new concept release from drum machine rookie, inkswel. a follow up to the random yet bubbling >get to my party< release, this ep cohesively mashes together drum machine sounds and new wave funk tendencies. the title track featuring vocal funkster zackey force funk (baron zen/jellphonic/mike gao) brings forth a timeless love song vibe into inkswels popping and locking approach to song composition. >good times< is inkswels ode to post disco and pre house sounds, fuzzy yamaha synth stabs and watery chords. backed with the bonus beat vibe of >whos fooling who<, a stand alone banger for beat heads and party animals. also packaged with stellar remix work from ppu/superior elevation s tom noble aka disco tom.

spinned by butch, hanne & lore, daniel sanchez, mihalis safras, ron flatter, hermanez & many püppis more! pimprinella flips and splits the coin! double-head-ep pimprinella003 welcomes two great talents in our rooster, stereo express (la vie en rose) from belgium and jeahmon (ostwind) from germany. according to his amazing munika ep mister oliver schleenvoigt bombs again with his remix for out of the river, a huge club machine. and we are proud too to say hi to los suruba, two uprising guys from spain, heads of suruba records and production partners of uner and edu imbernon. we are püppi

if you have ever heard a crunching roland system 100 bass line ringing in your ears at 5.00am in the morning, there is a good chance that it has been written by andy meecham. whether as emperor machine, sir drew, chicken lips or even bizarre inc his music rolls and waves in incredible ways and sheds light on all the probable combinations of familiar sounds. morning banger is certainly a hot potato! upon the first listen you are hooked in with the slightly aggressive korg delta drawing you in. the track builds and builds into a crescendo of beautiful tension and before you know it your brain is eagerly awaiting the next step of the journey.

after the success leonid neverminds light is here ep, we invited a few artists to reinterpret and reshape leonids work. first up is dutch duo duijn & douglas, who already released on nowar, who took on thymus stimulator and turned it into a deep and funky time bomb. very basic and strongly efficient grooves layered with riffs and counter-riffs, making you hooked instantly. a wonderful hip-shaker! on the flipside detroits kris wadsworth, with solid releases on nrk and boe recordings, applied a more machine funk approach turning feel into a deep jack workout with leonids original dreamy sounds enveloping kriss rawness. finally miles sagnia, whose releases on his own atmospheric existence and aesthetic audio prove to be timeless gems, also combined the raw and the soulful. a true deep house gem with funky basslines, straightforward beats and a sweet deep almost detroit techy vibe.

for 100% pures 74th release we welcome emmanuel.
with his coffee shop ep 100% pure gaining heavy play from the dj likes of ramon tapia, dubfire, karotte, richie hawtin, deetron, riva starr ... we are happy he is come back in full force with 2 more quality tunes:
octopus: this juicy groove is packed with big room vocals and suction cup snippets that will suck you into an ocean of clubbers with its techhouse tentacles.
bulldozer: just like the machine, this heavy power tool cuts through the crap and makes you want to dance hard and heavy. so … come on!

2nd release of leo zero on lets get lost. his remix of the florence and the machine was highly acclaimed. new leo zero remix for super talented teenaged rock band >bombay bicycle club< is simply brilliant stuff.this is good way of pop stuff. when i listened this remix,i thought its like a disco version of style council. on b side, rune lindbaek edit is bit alternative for djs. dont miss this great remix tracks.

while yacht refers to >dystopia (the earth is on fire)< as a post-apocalyptic fight song and a cautionary tale, the tracks chant-along melodies and unsparing synths nudge listeners far closer to dance than despair. from the sound of things, that reaction will likely also be elicited by two new remixes of the portland duos song, from their 2011 long player shangri-la. legendary production duo justin strauss and bryan mette, aka whatever/whatever, completely rework the sound of >dystopia< on their version, reorienting it with heavy doses of funk. while the original rides atop buzzing synths, the whatever/whatever remix adds a thick bassline and shimmery keyboards that leap out like solar flares. on the flipside, uk-based emperor machine starts their dystopia remix with a dubby feel – every vocal echoing endlessly – and then u-turns into wholly a updated, yet classic, disco sound. the rhythms are sultry, slinking behind a deep, repeated, synthline, its a recipe for an unexpectedly smooth, subtly hypnotic, and utterly danceworthy song.

following up the scorching debut release another night, deep&disco recordings sidesteps the sophomore slump with elisco, an infectious electro-funk groover that both cements the labels commitment to quality and expands their musical range.
a chunky nu-disco track with hints of metro area and a catchy vocal hook, the seeds of elisco were planted in the early 2000s when label founder jkriv and lou teti were sharing a loft space in williamsburg, brooklyn. after an afternoon of cowbells and synths, the skeleton of the track had its shape, and their other roomates girlfriend was enlisted to sing the hook. she had no singing experience (or rhythmic sense) to speak of, but somehow it all worked and elisco was born! although its always been a personal favorite of the producer duo, the song remained shelved for almost 7 years until they dusted it off in early 2011 and readied it for release on the newly minted deep&disco recordings.
providing remixes for the vinyl release are the legendary leftside wobble, who turns in an extended and bpm-d-up version quite true to the original, taking the machine vibes to the next level with added loops and fx. brightons alphabet city brings the disco-boogie sensibility to the package with a deep mix that features jkriv on live bass, and whiskey disco regular sleazy mcqueen rounds it out with an indie dance stomper.

roberto cravallo has been hooked on vinyl since he bought his first 7inch at a flea market 1976. he made first steps djing in 1977 doing some dj performances at a sunday afternoon tea dance by using lenco lc 75 turntables. the edits he has produced for >solid disco gold< are extracted from and influenced by his enormous record collection that he has accumulated over the last 30 years. and he is still diggin the crates at carboot sales and second hand record stores today!

a thick slice of deep analogue house from the crew @ machine age in pittsburgh follows their well received debut on uzuri. 4/4 machine funk with more than a touch of kraftwerk / moroder synth burbling. hard screened jackets.